Friday, January 15, 2021

Here She Is, Boys! Here She Is, World! Here's Ethel! - January 15, 2010


She had a huge, bombastic voice that could strip paint off the walls and flay velvet from the seats at the back of the largest theater. What she lacked in subtlety and nuance, she copiously made up for with sheer power and fortitude. Her unmistakable brassy timbre and brilliant comedic timing made her one of musical theater's most enduring and celebrated stars. Naturally, with that big voice came a big ego, but that only lent fodder to the legend that was the late, great Ethel Merman.

She was born Ethel Zimmerman on January 16, 1908 in Queens, New York, and one can only imagine the cradle-shaking stridency of those first hungry cries. As a girl, Ethel's parents frequently took her into Manhattan to see such vaudeville stars as Sophie Tucker, Nora Bayes, and Fanny Brice, all of whom would prove to be tremendously influential on the young performer. By the time Ethel was in her late teens, she was spending her days working as a stenographer and personal secretary. Her evenings, though, were spent singing in Manhattan nightclubs under the shortened moniker Ethel Merman.

It didn't take long for that singular voice to find fame. George and Ira Gershwin saw her and instantly hired her for their next Broadway show, Girl Crazy. To say she made a sensation is the half of it. On the evening of October 14, 1930, she blew the roof off the Alvin Theatre, with not one, but two show-stoppers: "Sam and Delilah" and the iconic "I Got Rhythm," in which she held a high C for sixteen bars. At intermission, George Gershwin rushed backstage to ask Merman, "Do you know what you're doing out there?" An apprehensive Merman replied "No." Gershwin replied, "Well, just keep doing it!" and forbade her from ever taking a voice lesson.

Hit after hit after hit followed, from Cole Porter's Anything Goes to Irving Berlin's Annie Get Your Gun and Call Me Madam and beyond. She concurrently made a splash in Hollywood, starring in films such as Alexander's Ragtime Band, Stage Door Canteen, There's No Business Like Show Business, and It's a Mad, Mad, Mad, Mad World.

But it was her unforgettable turn as the indomitable Madame Rose in Gypsy that would forever cement Merman's reputation as the musical theater's grandest of dames. Merman was perfectly suited to play the larger-than-life Rose, and one can imagine that her teeth marks still mar the stage at the Broadway Theatre, where she chewed her way through 702 sold-out performances.

Ethel Merman passed away in 1984, leaving in her wake four ex-husbands, two children, a string of brilliantly memorable performances on the stage and screen, an unfortunate disco recording, and any number of shattered eardrums. Not a bad record for a woman who took that advice and never had a single vocal lesson.

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