For comic readers in the 1950s, times could be grim. The art form was anything but respected, superheroes had mostly disappeared, and crime and horror comics were banned.
Superman was busy pulling cruel practical
jokes on his friends and Batman was
fighting aliens,
so for real adventure, readers turned to Walt Disney's Comics and Stories. What they found there was a series of
globe-spanning treks featuring Donald Duck, his nephews Huey, Dewey, and Louie, and his wily and parsimonious
uncle, Scrooge McDuck. While Disney originally approved his efforts, unauthorized sales by a fan led to the company revoking his license until Star Wars producer Gary Kurtz persuaded Disney to change its corporate mind and allow Barks to continue creating paintings of Donald, Uncle Scrooge, and his other creations until his death in 2000 -- only months short of his 100th birthday. Museum exhibitions of his art have drawn hundreds of thousands of fans who are charmed by the humor and clarity of his work. I met Barks in the 80s. Unlike the mob scenes at most of his appearances, he
and his wife Garé were alone, so I got the chance to have a long talk with
him. He was charming, funny, and surprisingly self-effacing for a man whose
influence spread far beyond comics. How far? Remember the opening scenes of Raiders of the Lost Ark? They were taken from Barks's Seven Cities of Cibola. Bet you didn’t know the real Indiana Jones was Scrooge McDuck!
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Friday, March 26, 2021
"The Good Duck Artist" - March 27, 2009
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