Monday, November 30, 2020

Wilde About Art - November 30, 2009


It’s fun to imagine Oscar Wilde at a university today. Dandified in a lavender jacket with a green carnation in the buttonhole, he might hang out with the Art History or English majors. He would surely be disdainful of any on-campus PC movements which emphasized political art over beauty, and he would certainly dismiss as ugly the confessional poetry with which such poets as Sylvia Plath garnered fame.

Oscar Wilde believed in the supremacy of aesthetics in art, in concealing the artist, and in art free from heavy-handed morality. After all, he declared that "a little sincerity is a dangerous thing, and a great deal of it is absolutely fatal." Wilde wrote The Importance of Being Earnest, A Woman of No Importance, and The Picture of Dorian Gray, in which he deployed a refined (and at times savage) wit to expose the contradictions and behavior of modern manners. He considered himself a living representation of beauty in art: "I put all my genius into my life; I put only my talent into my works." In the spirit of sensuality and outrageousness, he played the provocateur to society's so-called moral watchdogs.

Stuffy Victorian England put up with him for a time, until he pissed off the wrong person in power. He had a scandalous affair with Lord Alfred "Bosie" Douglas, whose father, the Marquis
of Queensbury
, made sure that Wilde was brought to trial, defamed, and convicted on charges of "gross indecency."

Wilde spent two years at hard labor imprisoned in Reading Gaol. After he was released, he spent the last three years of his life in Paris, where he tried to recapture his former decadent lifestyle, but incarceration had snuffed his artistic spirit. 

Despite a deathbed burst of wit ("My wallpaper and I are fighting a duel to the death. One or the other of us has to go"), he died penniless on November 30, 1900, and was interred in Paris's Pere-Lachaise Cemetery.

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